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Green men are figures or heads that were carved in churches, abbeys
and cathedrals from the twelfth to the sixteenth centuries.
Inspired by the illustrations in book margins where heads were used
to terminate trails of foliage, they were usually carved in the
form of human masks, cats' or demons' heads. The earliest
architectural green men are found in the churches of the wealthy
and influential, such as Henry I's private chapel in Derbyshire but
they were still produced in lesser numbers into the nineteenth
century. Richard Hayman discusses the origins and definitions of
these fascinating figures and traces their many declines and
revivals throughout history - a valuable guide for any church
history enthusiast.
Stretching to nearly 4,000 miles, the Yangzi is the third largest
river in the world and without a doubt China's single most
important river artery. These high quality hypsometric-shaded,
relief maps feature numerous captions informing the traveler of
geographical, cultural and historical facts about the river and
surrounding areas along the upper and lower regions of the Yangzi.
An illustrated history of Britain's coal mines and the lives of the
miners who worked in them. Coal heated the homes, fuelled the
furnaces and powered the engines of the Industrial Revolution. In
the nineteenth and twentieth centuries the coalfields - distinct
landscapes of colliery winding frames, slag heaps and mining
villages - made up Britain's industrial heartlands. Coal was known
as 'black gold' but it was only brought to the surface with skill
and at considerable risk, with flooding, rock falls and gas
explosions a constant danger. Coal miners became a recognised force
in British political life, forming a vociferous and often militant
lobby for better working conditions and a decent standard of
living. This beautifully illustrated guide to Britain's industrial
heritage covers not just the mines, but the lives of the workers
away from the pits, with a focus on the cultural and religious life
of mining communities.
The Reformation transformed England forever. From peasants in the
lanes and fields to the court of Henry VIII, no life was left
untouched as the Roman Catholic Church was replaced as the centre
of the nation's religious life. Emerging from a dense mesh of
European ecclesiastical and political controversy and Tudor
dynastic ambition, the English Reformation ended with the Pope
supplanted as the head of the national church, the great
monasteries - owners of much of the country's land - disbanded and
destroyed, the Latin Mass replaced by vernacular services and the
colourful wall paintings of parish churches whitewashed. This is a
fully illustrated introduction that looks at the main players -
Thomas Cranmer, Henry VIII, Thomas Cromwell and others - as well as
the broad sweep of this era of bitter controversy, brutal
persecution and seismic upheaval.
Timber-framed buildings are a distinctive and treasured part of
Britain's heritage, with such noteworthy examples as Little Moreton
Hall, Anne Hathaway's Cottage and Lavenham Guildhall. The oldest
are medieval but their numbers peaked in the sixteenth and
seventeenth centuries, with a revival in the nineteenth. The
majority of timber-framed buildings are houses, but wood was used
in all kinds of other buildings, including shops, inns, churches,
town halls and farm buildings. In this beautifully illustrated
book, Richard Hayman outlines the history of timber-framed designs,
and considers the techniques used in their construction, the
regional variations in style that can be found, and how these
buildings displayed social status. He also guides the reader in
identifying structures now concealed behind later work and explores
how these buildings have been treated in subsequent centuries.
The Holy Grail and Holy Thorn explores the legends of King Arthur
and Joseph of Arimathea at Glastonbury and how their influence has
been felt from medieval to modern times. Joseph was said to have
built at Glastonbury the first church in Christendom, which made it
a center of medieval pilgrimage, and gave Glastonbury an
international profile in the fifteenth century. Through the
winter-flowering holy thorn, said to have grown from Joseph's
staff, and later the Chalice Well, Glastonbury remained a focus of
superstition in the Protestant centuries. In medieval romance
Joseph of Arimathea had been the first keeper of the Holy Grail, a
mystical past that was revived by Romantic writers and artists and
ensured that Glastonbury retained a place in our national culture.
In the twentieth century Glastonbury's reputation was further
elaborated by the belief that Joseph was the great-uncle of Jesus
Christ, and that when he first came to Britain he brought the young
Jesus with him, an idea suggested by William Blake's Jerusalem. In
the same mystical tradition, in the 1960s John Michell saw in
Glastonbury the dimensions of New Jerusalem, which proved crucial
in making Glastonbury the capital of New Age culture.
From the monumental splendour of Tower Bridge and the august span at Westminster to the engineering masterpieces at Ironbridge and the Forth, bridges comprise some of the most recognisable landmarks in Britain. Whether the smallest arch or the largest overpass, each has a rich architectural, economic, social and sometimes even religious history. This beautifully illustrated introduction by Richard Hayman explains how piety built and maintained bridges in the Middle Ages; how economic forces inspired a new generation of road bridges in the eighteenth century, such as the Menai Bridge in North Wales, and how technological prowess gave us soaring Victorian railway viaducts and the concrete road bridges of the twentieth century.
Chinoiserie, a decorative style inspired by the art of the Far
East, gripped Britain from the late seventeenth to the early
nineteenth century. Despite taking its name from the French word
for 'Chinese', the style also incorporated influences from other
Asian countries, helping to shape the period's popular fantasy of
the 'exotic Orient'. Wealthy consumers jostled to obtain imported
wallpaper, lacquered cabinets and hand-painted porcelain, while
domestic manufacturers such as Royal Worcester and Chippendale met
demand with mass-produced items of their own. Though interest in
the style waned as the Gothic Revival took hold, many examples of
Chinoiserie have been preserved. In this beautifully illustrated
book, Richard Hayman tells the story of this fascinating
phenomenon, and explores the profound impact of Chinoiserie on the
material culture of the West.
The rood screen was the visual focus of the medieval parish church,
dividing the nave from the chancel. Most were built of wood and
were adorned with intricate carved decoration painted in bright
colours, often with images of saints. Defaced and often dismantled
during the Reformation in the mid-sixteenth century, most surviving
screens have been restored to their former glory since the
nineteenth century and are now among the most prized treasures of
our parish churches. This fully illustrated book explains the
symbolic and practical significance of rood screens and describes
the ways in which they were constructed and decorated. There is
also an extensive list of churches in England and Wales where
screens can be found.
Illuminated manuscripts are among the most beautiful, precious and
mysterious works of Western art. Before the printing press was
invented, books were produced by hand and their illustration using
brightly coloured pigments and gold embellishments was a labour of
love and an act of piety in itself. The results are stunning. The
works emanating from the scriptoria of monasteries were mainly
religious texts, including illuminated bibles, psalters, and works
for private devotion known as books of hours. Illuminated
Manuscripts describes the origin and history of illumination in the
Middle Ages, covering the artists and their techniques, and the
patrons who commissioned them. It explains the subject matter found
in medieval works, such as saints and Bible stories and the use of
ornamental flourishes, and is illustrated with many fine examples
of the genre including the Lindisfarne Gospels and the Book of
Kells.
The parish church is a symbol of continuity, a cornerstone of the
urban and rural landscape, and a treasure trove often as rich in
cultural history as any museum. This compact and accessible guide
explores all of these aspects of the parish church. It begins by
examining why churches are built where they are, and then goes on
to explain how both church buildings and churchyards have changed
over time. It also describes the fixtures and furnishings in the
parish church, including fonts, screens, stained glass and
monuments, explaining their ritual and symbolic purpose and how
their significance has shifted over time. Lavishly illustrated with
colour photographs, this book will provide an indispensable
introductory guide to anyone who is curious about the nation's
parish churches and wants to explore them further.
A guide to Britain's churches, which talks about the richness and
diversity of over 1500 years of Christian heritage. It also
explains the importance of place in the siting of a church, the
architectural styles, the layout of the interior in relation to
religious practice, the purpose and meaning of stained glass and
wall paintings, and more.
Trees are special, being bigger than us both physically and
metaphorically. "Trees: Woodlands and Western Civilization" is an
account of our relationship with them. Adam and Eve were expelled
from Eden for eating from the Tree of Knowledge and the great tree
Yggdrasil was central to Norse mythology. Tacitus, followed by
German nationalists and historians of liberty, located freedom in
the German forests. Medieval forests were both protected hunting
parks and the refuge of Robin Hood. Shakespeare contrasted the
simplicity of life in the Forest of Arden with the artificial
manners of the court, and indeed poets from Virgil to Hardy have
drawn inspiration from trees. While eighteenth-century aristocrats
controlled trees in plantations around their houses, Romantics
delighted in vast untamed forests, and the American Henry Thoreau
withdrew into the woods to reintegrate himself with nature.
Throughout history, our views of trees have been affected by the
changing use of woodland and the effects of deforestation and
urbanisation. How we see trees today will dictate how trees are
treated in the future.
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Various Artists - Rhapsody in Blue (CD)
George Gershwin, Slovak Radio Symphony Orchestra, Slovak Philharmonic Orchestra, Richard Hayman, Karol Kopernicky, …
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R54
Discovery Miles 540
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Out of stock
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Who built Avebury and Stonehenge? Why and when were more than 600
stone circles, and thousands of barrows and cairns, erected in
prehistoric Britain? What were they used for and what do they tell
us about the beliefs and culture of their builders? Riddles in
Stone is a history of the extraordinary variety of answers that
have been given to those questions, by amateurs and professionals,
archaeologists and astronomers, mystics and system theorists. While
modern excavation and radiocarbon dating has undoubtedly advanced
our knowledge of the sequence and date of the monuments, their
purpose and meaning is still today hotly debated . Indeed no
previous century has changed its mind so often as the twentieth -
or provided such a welteer of conflicting opinions. Each theory has
as much to say about its own time as it has about prehistory. The
stones have been used to enhance the authority of the Bible, to
endorse the civilizing mission of the British Empire - and to argue
that the Ancient Britons could work a computer. In a reaction to
modern industrial society, they have been credited with spiritual
powers and natural energies.Even the views of modern archaeologists
often reflect the latest adademic fad, rathen than a lasting
solution. Riddles in Stone: Myths, Archaeology and the Ancient
Britons is an entertaining and instructive account of a debate on a
subject of endless fascination. Richard Hayman is an archaeologist.
He read archaeology at University College, Cardiff, and has
subsequently specialised in post-medieval archaeology, while
maintaining his early interest in prehistoric monuments. He has
also worked as a photographer.
The Ironbridge Gorge (midway between Wolverhampton and Shrewsbury)
was at the forefront of the Industrial Revolution. The site is best
symbolised by the Iron Bridge itself, cast in Coalbrookdale and
erected across the River Severn in 1779. It was immediately hailed
as one of the wonders of the age. The area had already established
itself as the cutting edge of technological innovation and
attracted engineers such as Telford and Trevithick. In 1709 Abraham
Darby I successfully adopted coke for smelting iron - after which
the Coalbrookdale Company spearheaded developments in the iron
industry. During the later eighteenth and nineteenth centuries
other companies and products became synonymous with the district:
Coalport porcelain, Broseley roof tiles and clay tobacco pipes, and
decorative tiles from Maws and Craven Dunnill. Using archaeological
and historical evidence, the authors chart the rise and fall of the
iron, clay and coal industries of Ironbridge and bring to life the
communities that worked in them. They have written the definitive
guide to the surviving buildings and archaeological remains,
portraying the distinctive character of a string of small
settlements.
Iron was the catalyst of the Industrial Revolution - the material
of Ironbridge, the Crystal Palace, railways, steam engines ships.
But what made it so important and why did Britain become the major
producer of iron in the world? The iron industry sucked in a mass
of skilled and unskilled labour, and transformed rural landscapes
with mines, railways, and new villages and towns. Without iron
there would have been no Industrial Revolution and few parts of
Britain from the Highlands of Scotland to Cornwall have not been
touched by the iron industry. Richard Hayman concentrates on the
period when coal replaced charcoal as the industry's fuel source,
discussing the changing technology, geography and economy of the
industry as well as its social history. From those heady days at
Coalbrookdale on the banks of the Severn to the decline of a
once-mighty industry, he tells the story of iron and its place in
British history.
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